The Merry Wives of Windsor - a guerrilla opera,
2023
Grimeborn Opera Festival, London
Role: Mrs. Ford
Conductor: Knut Erik Jensen
Director: Kristin Lundemo Overøye,
Lars Harald Maagerø
Invited by Grimeborn Opera Festival in London 2023, Skeive
Stemmer (Queer Voices) presented a performance based on
The Merry Wives of Windsor, an opera with music by
Otto Nicolai based on a comedy by William Shakespeare
“The Merry Wives” tells the story of the knight John Falstaff who
tries to seduce two married wives, but ends up being laughed at
by an entire local community. Central is the conflict between the
sexes - how gender and sexuality play into relationships and which
power plays underlie our actions. The conflict between the wives
and the knight, but also between the wives and their jealous
husbands, and between the young daughter and her three suitors.
This particular story works well for the purpose of breaking some
expectations both for the audience and the cast. Skeive Stemmer
then has proposed:
“The Merry Wives in Windsor - a guerrilla opera-performance”
In our version, the archaic fat and sexist male character Falstaff
is transformed into the liberated and gender-nonconforming Falstaff.
The conformist Windsor mirrors societies’ attitudes towards those
of us who break the binary and the final punishment in Act 3 where
the wives originally forgive Falstaff is turned upside down.
The audience becomes an active participant in the scene by not
interfering when it is clear that Falstaff’s punishment is less about
their behaviour towards the women and more so how they perform
gender, resulting in Falstaff forgiving us all for how we treated them
and those of us like them
Skeive Stemmer wanted to create a performance that, through
measures such as non-traditional casting and the abolition of the
traditional opera hierarchy, plays with and challenges the traditional
gender roles in the play. Which voice types get the roles in this
production has been decided based on which people can add new
depth and a more diverse perspective to the roles. Finally, the
performers themselves can help shape the roles in the way they
see them evolving
The hierarchy where the director and the conductor are at the top
will thus be broken down.The story often takes place in a pub, and
our performance had its premiere in the Theatre Café at Rosendal,
Trondheim, Norway. The LGBTQIA community has long had to hide
or meet after sunset, in movie theatres or basements and queer
culture is intertwined with nightlife. Skeive Stemmer wanted to use
this to transform the theatre cafe from a historic black/white
cinema into a colourful nightlife. This is also reflected in
costume/make-up design.
Photo: Talitha-Rose Khachik